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Mud House Address

by kwame write

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* On this dirty patch A tree once stood Shedding incense on the infant corn * KWAME : Where the tree once stood Be where resource removed Architects dem get self interest mek dem keep dema tools If Muslims dey enter the church dem fit leave dema shoes? Cleared historic sites Heritage indeed valued? Neo-colonialists exams dem dey leave us clues Athlete’s foot, corruption baton, rust relay Prophets name themselves, baptize in cash we pay Protestants protest, pick property, plunge for place Otabil’s cheese, church mice, the rats, the race 8 billion reasons to jail for fail in collapsed banks Sort of rot for comot Care of your thought tanks Things sinking, make e sink in corrupt hands Plate of Atewa, Chinese restaurant, our robbed sands Till last bauxite, oxidized, blow that chance Shoot yourself in foot, problem be you’re no island How loud be your silence How quiet be your sirens How poetic your license? * Its bows stretched across a heaven Brightened by the last fires of a tribe They sent surveyors and builders who cut that tree * KWAME: Open the Mecca of minds Dem say heaven be for beggars E dey like Sega for our kind Game all the same you dey kai dem memorable times Awoonor predict de cathedral Adjaye realized design If the church be inclusive mek e come with a shrine Make communion drip with voodoo vow, libate with wine Roofless parts, seal/ceil am with wonna histories and bind Your favorite rapper (hehe) rural tax payer’s tap, fill the gaps, make mural mask leaders have, spill your guts Crucial dem dey ask make we clap, still the trash Democracy not on the map Charismatic cats, charisma mathematics Calculate the facts Character of collective crooks Collaborate and grab Almost every street get church Check the basic stats Political bend down boutique They just frisk and pack Clustered kiosk, ghetto blaster, chop chapter, white cathedral, black market, demolition be rapture? * Planting in its place a huge senseless cathedral of doom * WANLOV: akufo addo and david adjaye wer masturbating moaning in british accents while debating addo's dwarf complex fantasized a holy erection to be designed by timid david in an aggressive section of a city that has more churches than teachers or dustbins wat a pity addo ejaculated on desk wer dust had been adjayi adjaye’s ashy palm rubbed shaft raw red testifying while cupping his testes dat he’d rather be dead to the discerning in the colony than having his cleansed fingered himself rectally giving speeches condensed with fecal matter sputtering doodoo voodoo into the ears of the public addo had tuned in listening twisting his pubic heirs to political thrones tinkin we owe dem coz was once daddy’s own so far we hav sub par hypocritical clones how d most backward institution fit move we forward? priests with skeletal closets dey sniff infant pant in drawers make little sammy suck sweaty shrivelled sausages who's in charge to check if the mushroom sauce is jizz capitalistic oppressed by chairmen ironically cathedral dey mean chair men be trash men be trash men be trash herrr snub yor traditional religions and boro moni from those practicing theirs china Buddhist India hindu japan shinto ma guy take the holy water home to dilute yor vimto our real god is moni so we just dey use jesus do wana juju till am laid to rest like banton buju i go catch these panting catholic priests like waju is supposed to do dey b the reason youth think gay love b fufu of baby pupu superior nuns molest young girls until the word supi homos night propagated from priests poking pupil poopy sam jonah john kuffuor and david kneel down sake of sir sell wana gold, land n now wana souls, but chale no sir auditorium reverb amplifying weezing breaths of pot bellied bishops jesus hated business in the temple yet church is just a very big shop stop jacking off in the cathedral otse tufle amen
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released November 1, 2018

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kwame write Accra, Ghana

Kwame Aidoo (b. 1986) is a writer, cultural manager and artist from Ghana with a BSc biochemistry and biotechnology from KNUST and MOOC Managing the Arts: Cultural Organizations in Transition. He is inspired by West African oral folklore, polyrhythms and symbolism to discuss sociopolitical contexts. He is the author of Ananse Makes Aurora. Mud House Address is his most recent album released. ... more

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